Meet the Team! Matthew Lenton, Director.

We are massively excited to introduce the artist directing our production of SPECTRETOWN, Matthew Lenton. Read all about him and his work here....

 

 

Matthew is a freelance director and the artistic director of Vanishing Point, the company he founded in 1999. He works from Scotland, across the UK and internationally. His shows have been performed in over 20 countries.

Recent work for Vanishing Point includes TOMORROW, a co-production with Cena Contemporanea Festival (Brasilia), Brighton Festival, Stanislavsky Festival (Moscow) and Tramway (Glasgow); THE BEAUTIFUL COSMOS OF IVOR CUTLER, a co-production with The National Theatre of Scotland; WONDERLAND, a co-production with Edinburgh International Festival, Napoli Teatro Festival Italia and Tramway; SATURDAY NIGHT, a co-production with Teatro Nacional Sao Joao (Porto), Teatro Sao Luis (Lisbon), Centro Cultural Vila Flor (Guimaraes) and Tramway (Glasgow); THE BEGGAR'S OPERA, a co-production with the Royal Lyceum Theatre in Edinburgh and the Belgrade Theatre in Coventry; INTERIORS, a co-production with Napoli Teatro Festival Italia, Traverse Theatre and Lyric Hammersmith; LITTLE OTIK (a co-production with the National Theatre of Scotland); SUBWAY, commissioned by The Lyric Hammersmith and MANCUB, a co-production with Soho Theatre.

Other recent work includes MISTER HOLGADO for the Unicorn Theatre, A MIDSUMMER NIGHT'S DREAM for the Royal Lyceum Theatre in Edinburgh and HOME for The National Theatre of Scotland.

Matthew works regularly at the Royal Conservatoire of Scotland, developing work with acting students and most recently directing DRACULA by Liz Lochhead. He recently directed his first film, BOY, for Touchpaper Television and Channel 4. In 2010, Matthew was chosen to be the first British director of the Ecole des Maitres, a European theatre laboratory previously associated with Jerzy Grotowsky, Peter Stein, Emuntas Nekrosias and Jan Fabre.

Current work includes a number of projects with Vanishing Point, BLUEBEARD'S CASTLE with Scottish Opera and a new project for the Stanislavsky Festival in Moscow and the National Academy of Chinese Theatre Arts in Beijing.

News from the North East!

Our Artistic Director is currently up in Portsoy, Banffshire. She's been tucked away working on the latest draft of SPECTRETOWN and also visiting some more folks to practice some Doric! Here's the latest...

'Yesterday I visited Aden Country Park, near Mintlaw. I don't have a car, so I took 2 buses over a scenic route ;-) via Turriff, but didn't mind at all as I was entertained and regaled by a lovely Polish bus driver all the way - thank you Michael for all the stories! Michael moved to the North east of Scotland direct from Poland 13 years ago. Back then he had not a word of English, but taught himself and now spiks the Doric jist fine! I say this all the time, but people who immigrate here in search of a better life make all of our lives richer, and I certainly found that yesterday :-)

Now owned and run by the council as a community project, the place has a fascinating history. The barony of Aden (pronounced Aa-den) was given to Robery Keith, the Earl of Marischal, in 1324 as a reward for his services in the Wars of Independence. It remained in the Keith family for 400 years before it was bought - along with the nearby village of Old Deer - by a Banffshire laird called Alexander Russell in 1758. Russell had been bitten by the bug of improvement farming, and set about re-structuring the tenant farms, building woods for shelter, and building a house for himself and his family which would later become extended into a mansion known on the estate as 'the Big Hoose'. By the mid-nineteenth century, the house was a beautiful example of neo-classical splendour, and by late Victorian times the house and estate were served by a huge army of staff. Like Downton Abbey, but probably chillier ;-) They even had their own laundry building, ice house and gas-works, and so life was probably not too shabby for the laird and his family :-)

One brilliant testament to the Russells' endeavours is the Home Farm building. A bigger and grander version of the old fairm-toun structure, it's a long curved building over 3 levels, and housed much of what kept the estate going - the stables, grain stores, lodgings for the Head Horseman, Grieve, and familes, the chaumer (sleeping quarters for unmarried farm servants), and Doocot up abeen :-)

From inside 'the chaumer'

The lives of servants on the estate was difficult. Whether working 14 hour days as a maid in the big hoose, or labouring on one of the estate's farms, survival was a sair fecht, and servants would be lucky if they had a half-day off per week. That being said, the Russell family seems to have been looked on kindly by their workers, as described in the testimony recorded in local accounts and songs. In the early 20th century one tenant, in great difficulty due to falling prices, approached the laird for a reduction in his rent, stating that he had not had a new suit since he was married some 25 years before. In a spirit of compassion, the Laird agreed.

Feeing market at Turriff, where farm servants looked for a 'new fee'...

 

Unfortunately, after the First World War, these falling prices translated to unsustainable loss of farm income. Combined with rising maintenance costs, the Russells could not keep up, and in 1937 the 8th and last laird of Aden sold the estate, including its 52 farms and most of Old Deer.

After the sale, the estate was sorely neglected and fell into disrepair.

Wandering around the grounds of the old mansion, now a ruin, is very sad. Though of course I know it represents an era of huge inequality - sadly not unlike the kind we're living in now - its walls nevertheless ring out with the echoes of a family who cared deeply about this place and wanted to make the best of a system which made their tenants' largely dependent on them. Their efforts to improve and build it up over 400 years were undone in 40 through the carelessness of their successors. In what you might see as the kind of plundering land-owning greed which scourged much of rural Scotland even in the 20th century, they used it for shooting and hunting, and cared for little else besides.

In 1974 the estate was purchased by Banff and Buchan District Council, and the following year they designated it a country park. Over the past 40 years, it has gone from strength to strength, undergoing a huge renovation project to restore the Home Farm to its former glory. It now houses a brilliant farming museum, probably the best I've seen, a lovely café, and much more besides. The place is really so impressive. 

My favourite part of the day was visiting The Horseman's House. The last man to be head horseman here was Jimmy Thompson, and he was hired for the position in 1919. He and his family moved into this cottage, which was 2 rooms at one end of the farm steading, or 'home farm', built in the early 19th century. His daughter, Miss Mary Thompson, was extremely generous in helping with the presentation of her former home as a museum, and also donated many of their original furnishings. In some old photos, you can see her showing school children around in the 1980s! As a family of 4, living in a 2-roomed cottage like this was relatively grand for a horseman, and they seem to have had a happy time there. The place is full of photographs, rugs made by Jimmy himself, their own furniture, and just gallons of memories and magic. Entranced and quite alone in the place, I tarried there for some time.... :-)

 Traditional cooking range in the Horseman's House

Original implements, The Horseman's House

Also featured at Aden is the Book of Deer - one of Scotland's most important manuscripts - which alaas I had to save for another day. But, I was fortunate enough to visit the North East Folklore Archives, now in the old laundry building along with a purpose-built recording studio. Thanks to the foresight and talents of musician and archivist Gavin Sutherland and the team there, they've been working with digital technology for storing archival material since the mid-90s, way ahead of the curve. Back then the digital recorder was something still confined to Tomorrow's World, but these guys - a wealth of experience in music, recording, and science between them - got themselves one of the first, taught themselves programming, and got these materials online and into the public domain before people were even dreaming we'd all have a computer! As Gavin said:

"Back then people were saying things like, 'There will come a time when there will be a computer in every city"

 I really take my hat off to them! Huge thank you to Gavin for the lovely chat, hospitality and books. I'm sure I'll be back!

Lastly, I want to mention Hareshowe Farm - this project is amazing! It's a typical Buchan farm of the 1890s, bought and moved in its entirety from near New Deer, to its new location at Aden. In 1990 it was bought by the Aden project. They photographed, catalogued, and labelled every single brick, shed, tea towel and dresser, and rebuilt it exactly as it had been - and it hadn't been re-decorated since 1950 so as one of the last example of the old ways of farming - ie horses not tractors etc - it is incredibly precious. But I won't go on and on - this page can tell you all about it.

Awaiting a bus at Turriff on my way back, I took a stroll around the old Kirkyard. Some might say a fascination with graveyards is slightly morbid, but as I read the headstones, I find myself pulled through the stone into the lives of these families, many of which were tragically short. Especially in the 19th century North East, so many parents buried child after child under 20 - disease and near starvation being the cause. How lucky we are today to live with modern medicine, and I really think we can learn a lot from the resourcefulness, self-care, and neighbourly generosity of our forebears. And how horrific and shameful that in this time of plentiful resources, after 200 years of admirable progress as a country, so many people should be living on the bread-line once more. Time for change indeed.

The 'Aul Kirkyard' at Turriff

There's so much more I could say about Aden, and how invaluable this visit was as I go deeper and deeper into farm-town life in the North East. For now, I highly recommend a visit!

Next week I'm off to Aberdeen for a chat with Sheena Blackhall and a visit to the Elphinstone Institute, then out to Kemnay and Alford - really looking forward to hearing the voices of those places again. I want to thank the Tom McGrath Trust for supporting this trip, and this time to write - it makes all the difference to the development of a voice in your writing, if you have time and space to absorb and reflect on the voices of past and present all around us.'

 Sunset in Portsoy

Stay tuned for more tales from Elspeth's adventures!

And don't forget, tickets for SPECTRETOWN are now on sale. Just click HERE!

Stoirm Òg xo

SPECTRETOWN set for Edinburgh Fringe!

Click HERE to buy tickets!


Stoirm Òg in co-production

with Cumbernauld Theatre presents

A new play by Elspeth Turner

Directed by Matthew Lenton

             Your dignity – I’ve been trying to save

             your hypocrisy – I’ve been trying to conceal

               to right your wrongs

             and sing the songs of managing strife

             but life

             is no horse-taming

             woman-shaming

             system-blaming picnic.

             And I’m the Heidbummer today.’

Inspired by the bothy ballads of Scotland’s North East, playwright Elspeth Turner (The Idiot at the Wall, 2012) and acclaimed director Matthew Lenton (Vanishing Point) explore the fraying boundaries between past, present, and future. Weaving poetry, Doric, wild horses, and song, this courageous new play deftly wrestles with tradition, power, and the loneliness of modern life.

Cast - Elspeth Turner, Bridget McCann and Mark Wood

Music and Sound Design - Matt Regan

Design - Richard Evans

Lighting Design - Kai Fischer

Assistant Director - Rob Jones

Producer - Aiyana D'Arcangelo

Production Manager - Susan Martin

SPECTRETOWN

Presented by Stoirm Òg

in co-production with Cumbernauld Theatre

31st July - 1st August, 7pm

Cumbernauld Theatre

To book click here

6th-31st August, 1.30pm 

Assembly Hall (Rainy Hall)

Edinburgh Festival Fringe

(NOT 12th, 17th, 24th)

To book click here

2nd - 20th September, Scottish Tour.

Generously supported by Creative Scotland, Aberdeen City Council,

North East Arts Touring, and the Tom McGrath Trust.

With thanks to The School of Scottish Studies.

Stay tuned here for news and updates!

Are you an emerging director?

We are currently inviting notes of interest from emerging directors to assist our director on SPECTRETOWN.

Click here for more info!

Our YouTube Channel!

If you fancy a peek at some of the development we've been doing on SpectreTown, head over to our YouTube channel! We've started uploading videos and images from the past couple of months, and there'll be more to follow shortly :-)

As an example of the things we'll be featuring on there, here's a taste of the audience talk-back at the Tullynessle and Forbes Hall near Alford. This is actor Aberdeen-born Bridget McCann talking about working in her own dialect, followed by one of the lovely audience members sharing her experience and perceptions on protecting our indigenous languages and dialects.





Making noise in SpectreTown

Last week was a brilliant week for playing with and presenting the ideas we're working on for SpectreTown. It was a real privilege to be in a rehearsal room with such a talented and imaginative bunch of people. Emily Reutlinger, Susan Martin, Aiyana D'Arcangelo, Matt Regan, Lucy Goldie, Bridget McCann and Mark Wood - thanks everyone for launching yourself at this play! Head to our Projects page for more images and stories from last week....

 

 

On Friday night we were welcomed into the Traverse to share what we'd been working on. Here's the piece I wrote with Emily for the Traverse blog....

 

'As a writer it’s very daunting to be showing a work-in-progress - it’s something I expected to feel lucky getting out of alive! So I was really pleased when the Traverse offered to include my play, SpectreTown, in Hothouse – what better place to experiment with ideas in front of an audience hungry to see and take part in the development of new work than at Scotland’s home for new writing? Everyone on the Traverse team, from marketing to the technical staff, were brilliantly supportive.

For emerging companies in Scotland, sharing the process of making the work along the way has become a vital part of building both audience and industry support as well as crucial funding.  We found that being able to showcase this work at the Traverse elevated both the standard of expectation as well as our own ambitions for the piece.

Last year we played to a packed Traverse One during our tour of The Idiot at the Wall, and so beginning our second show with this Traverse platform was a great way to continue building a relationship with Edinburgh audiences. The focus of our week-long development workshop in Cumbernauld was on exploring the different worlds, styles, and voices set out in the first draft of SpectreTown and to try and push the boundaries of what each of those elements might be. There was something both terrifying and affirming for us as a company to jump up in front of an audience at the end of that week and present those explorations – but it felt like an incredibly important leap.'

 

Big thank you to all at the Traverse for having us. Photos to follow!

 

On Saturday we left home in the dark and made the trip up to the Tullynessle and Forbes Hall, near Alford. It was really important to us that we brought our work-in-progress to a local North East audience, though honestly we wondered if a) anyone would show up, and b) we would be run out of town for mixing bothy ballads with electronic music.....! In the end over 40 folk showed up, and we had such a lovely afternoon of new writing, songs, tea, scones, and tons of interesting chat!

 

Thanks very much to Blair Dingwall at the Press and Journal for the chat, and the lovely piece!

 

 

 

 

 

 

Great to talk with Doric speakers about the state of things for their own dialect. We were also honoured to have the wonderful Sheena Blackhall join us to sing some bothy ballads - one very sad, and one utterly filthy....and there's nothing like seeing a polite crowd sing along to a song like that.....brilliant! We'll be posting videos shortly so watch this space :-) In the meantime, Aiyana's getting the tea on!

 

Thanks to everyone at Cumbernauld Theatre for hosting our development week, and for all the ongoing support of our progression as a company. See you again soon!

Elspeth xo



Off to the Traverse, then up to Tullynessle!

Work continues on our new play, SPECTRETOWN. This week we'll be in development at Cumbernauld Theatre studio, and at the end of the week we'd love to share our work with YOU!

We're really excited to be sharing a work-in-progress this coming Friday, the 24th of October at the Traverse in Edinburgh. Click here to book!

On Saturday we're heading up to the Tullynessle and Forbes Hall, Alford. We're really looking forward to sharing some ideas, songs, and good chat with local audiences. Maybe we can practice our Doric too :-) This event if FREE! Click here for more details.

Big thanks to Creative Scotland, Cumbernauld Theatre, The Traverse, NEAT, and Tullynessle and Forbes Hall for supporting this development.